{"id":799,"date":"2022-03-06T17:17:15","date_gmt":"2022-03-06T22:17:15","guid":{"rendered":"https:\/\/rougebleue.com\/?page_id=799"},"modified":"2023-12-10T18:22:45","modified_gmt":"2023-12-10T23:22:45","slug":"caroline-lizotte","status":"publish","type":"page","link":"https:\/\/rougebleue.com\/en\/caroline-lizotte\/","title":{"rendered":"Caroline Lizotte"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;#04709e 0%|rgba(0,64,117,0.81) 100%&#8221; background_color_gradient_start=&#8221;#04709e&#8221; background_color_gradient_end=&#8221;rgba(0,64,117,0.81)&#8221; background_image=&#8221;https:\/\/rougebleue.com\/wp-content\/uploads\/2022\/01\/caro_monte-charge2.jpg&#8221; background_blend=&#8221;multiply&#8221; custom_padding=&#8221;18px||128px|||&#8221; background_last_edited=&#8221;on|phone&#8221; background_image_phone=&#8221;https:\/\/rougebleue.com\/wp-content\/uploads\/2022\/02\/caro_monte-charge2_mobile.jpg&#8221; background_enable_image_phone=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;98%&#8221; custom_padding=&#8221;205px||205px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|300||on|||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;44px&#8221; text_letter_spacing=&#8221;54px&#8221; header_font=&#8221;|300|||||||&#8221; header_text_color=&#8221;#FFFFFF&#8221; header_font_size=&#8221;44px&#8221; header_letter_spacing=&#8221;27px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;154px||||false|false&#8221; header_font_size_tablet=&#8221;44px&#8221; header_font_size_phone=&#8221;24px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; header_letter_spacing_tablet=&#8221;27px&#8221; header_letter_spacing_phone=&#8221;5px&#8221; header_letter_spacing_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Caroline Lizotte<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;50%&#8221; max_width_tablet=&#8221;50%&#8221; max_width_phone=&#8221;80%&#8221; max_width_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|300|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_line_height=&#8221;2em&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: justify;\">A brilliant Quebec harpist and composer, Caroline Lizotte is named <strong>Composer of the Year at the Prix Opus 2023 <\/strong>and stands out internationally as one of the leading harp composers of her generation. Her works, often awarded prizes and imposed in competitions, are played and recorded by harpists around the world and are listed among the most influential of the late 20th and 21st centuries for the instrument.<\/p>\n<p style=\"text-align: justify;\">Caroline Lizotte will be the <strong>central composer at the One Harp World<\/strong> in Toronto from July 28 to August 3, 2026. This joint event between the <strong>15th World Harp Congress<\/strong> and the <strong>American Harp Society<\/strong> will award her the <strong>Ann Stockton Memorial Award for New Music<\/strong> for her important contribution to the harp repertoire.<\/p>\n<p style=\"text-align: justify;\">In February 2024, Lizotte was invited to <strong>California<\/strong> (Los Angeles, San Diego) for an <strong>artist residency<\/strong> including concerts, workshops and masterclasses for harpists and composers.<\/p>\n<p style=\"text-align: justify;\">The world premiere of her new opus <strong>\u201cPartita\u201d<\/strong> opus 52 for violin and harp, commissioned by harpist Lori Gemmell and supported by the Canada Council for the Arts, will be presented on April 12, 2024 as part of the <strong><a href=\"https:\/\/www.ontarioharp.ca\/\" target=\"_blank\" rel=\"noopener\">Ontario Harp Society<\/a><\/strong>\u00a0concerts at the <strong>Toronto Heliconian Club<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Most recently, in June 2023, Caroline Lizotte was featured artist at the <strong>American Harp Society Summer Institute in Los Angeles<\/strong> and the <strong>Young Composers Project<\/strong>.<\/p>\n<p style=\"text-align: justify;\">Caroline is dedicated to sharing her art through her creations, editions, concerts, mentoring and the recording of her entire works. She founded with her husband \u00c9tienne Ratth\u00e9\u00a0<strong>Roug\u00e9bLeu\u00eb Productions<\/strong>\u00a0and produced in 2022 her first album\u00a0<em><strong>Lizotte Plays\/Joue Lizotte<\/strong><\/em>, which collects several of her best known works written for harp from 1990 to today. This recording, <strong>nominated at l\u2019ADISQ 2023<\/strong> in the category Album of the Year &#8211; Classical, received critical acclaim and ten stars from <strong>Harp Column<\/strong> Magazine.<\/p>\n<p style=\"text-align: justify;\">Caroline Lizotte performed in July 2022 for the 14th\u00a0<strong>World Harp Congress<\/strong>\u00a0in Cardiff, UK. Her performance of <strong><em><a href=\"https:\/\/calyane.com\/en\/stellar-sonata-montrealer-reentry\/\" target=\"_blank\" rel=\"noopener\">\u201cStellar Sonata\u201d<\/a><\/em><\/strong> for electroacoustic harp was highlighted and acclaimed by her peers. She has been a regular guest as a soloist and chamber musician at the harp major events: World Harp Congress, Dutch Harp Festival, World Harp Competition, American Harp Society, Ontario Harp Society, Harpenning, Soci\u00e9t\u00e9 des Harpistes de Montr\u00e9al and Women in Music Festival.<\/p>\n<p style=\"text-align: justify;\">An associate composer of the Canadian Music Centre, Caroline Lizotte began composing at an early age and has an extensive catalogue of works, original transcriptions and arrangements for various ensembles. A frequent recipient of grants from the Canada Council for the Arts and the Conseil des arts et des lettres du Qu\u00e9bec, several harpists have commissioned works from her, including Judy Loman, Jennifer Swartz, Val\u00e9rie Milot, Heidi Krutzen, Marta Power, Elizabeth Jaxon, Jasmine Hogan and Lori Gemmell.<\/p>\n<p style=\"text-align: justify;\">Caroline founded<strong> <a href=\"https:\/\/calyane.com\/en\/\" target=\"_blank\" rel=\"noopener\">les \u00e9ditions Calyane<\/a>\u00a0<\/strong>in 1999, a publishing company that produces her works with a personalized touch. She distributes her music in all countries of the Americas and Europe, New Zealand, Thailand, Taiwan and Japan. There are also points of sale in the most important harp manufacturers around the world such as Camac Harps France, Salvi Harps London and Lyon &amp; Healy Harps USA.<\/p>\n<p style=\"text-align: justify;\">Among her works:<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cPartita\u201d<\/strong> opus 52 for violin and harp (2023), commissioned by Lori Gemmell with support from the Canada Council for the Arts<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cStellar Sonata\u201d<\/strong>\u00a0opus 51 for electroacoustic harp (2019), supported by the Conseil des arts et des lettres du Qu\u00e9bec and created at Espace Camac in Paris<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cEl Ni\u00f1o Mudo Prologue-La Barraca-Epilogue\u201d<\/strong>\u00a0opus 50 for voice, flute, viola and celtic harp, commissioned by Jasmine Hogan and the Baltimore Peabody Institute of Music<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cStellae Saltantem\u201d<\/strong>\u00a0opus 49 for electric harp and acoustic harp (2014), commissioned by the Atlantic Harp Duo\/Marta Power and Elizabeth Jaxon<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cClose for Couloir\u201d<\/strong>\u00a0opus 48 for harp and cello (2013), commissioned by the Duo Couloir\/Heidi Krutzen and Ariel Barnes, supported by the Canada Council for the Arts.<\/p>\n<p style=\"text-align: justify;\">Recorded on the album Transfiguration by Val\u00e9rie Milot and St\u00e9phane T\u00e9treault, Atma Classique \u2013 Prix Opus 2023 Album of the year: Modern and contemporary music<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cLa Madone\u201d<\/strong>\u00a0opus 43 for solo harp (2009), commissioned by Val\u00e9rie Milot, is among the required repertoire for the American Harp Society\u2019s Anne Adams Award in 2020<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cRaga\u201d<\/strong>\u00a0opus 41 for two harps (2006), commissioned by Radio-Canada for harpists Judy Loman and Jennifer Swartz<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cConcerto Techno\u201d<\/strong>\u00a0opus 40 for harp, live techno and orchestra (2003), commissioned by the Orchestre Symphonique de Trois-Rivi\u00e8res<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cSuite Galactique\u201d<\/strong>\u00a0opus 39 for solo harp (2000) required piece for the American Harp Society\u2019s Anne Adams Award in 2016 and for the American Harp Society National Competition in 2023.<\/p>\n<p style=\"text-align: justify;\"><strong>\u201cOdyss\u00e9e\u201d<\/strong>\u00a0opus 37 for solo harp (1990) won the fourth place worldwide in the USA International Harp Competition\u2019s Composition Contest in 2010. Required piece for the American Harp Society National Competition in 2023.<\/p>\n<p style=\"text-align: justify;\">Caroline Lizotte is also a member and co-founder of the\u00a0<strong>Four Seasons Harp Quartet<\/strong> with harpists Jennifer Swartz, Lori Gemmel and Caroline L\u00e9onardelli. Lizotte has written several original transcriptions for the quartet, which has toured Canadian chamber music festivals since its formation in 2004. An accomplished orchestral musician, she was with the Orchestre Symphonique de Trois-Rivi\u00e8res for 20 years and with the <strong>Orchestre Symphonique de Montr\u00e9al<\/strong> for 23 years.<\/p>\n<p style=\"text-align: justify;\">Teacher and mentor for several career harpists, Caroline founds in 2023 <strong>Lizotte Academia<\/strong> specializing in teaching her compositions. She is also called upon to give master classes and to present concerts of her works around the globe, including: University of North Texas, Colburn School of Music Los Angeles, Glenn Gould School and University of Toronto, Eastman School of Music Rochester, Royal Northern Academy London, University of Arizona, Norvegian Music Academy Oslo, University of Ottawa, Roosevelt University Chicago, Boston Conservatory of Music, Conservatoires de Musique du Qu\u00e9bec.<\/p>\n<p style=\"text-align: justify;\">She has taught at Trois-Rivi\u00e8res and Montr\u00e9al Conservatories of music, Schulich School McGill University and C\u00e9gep St-Laurent. She was on the <strong>National Youth Orchestra of Canada\u2018s Faculty<\/strong> and the\u00a0<strong>Orford Academy\u2018s Faculty<\/strong>. Since 2010, Caroline Lizotte is harp professor at the <a href=\"https:\/\/musique.umontreal.ca\/en\/home\/\" target=\"_blank\" rel=\"noopener\"><strong>Universit\u00e9 de Montr\u00e9al\u2019s Music Faculty<\/strong><\/a>.<\/p>\n<p style=\"text-align: justify;\">A native of Quebec City, she graduated from the <strong>Conservatoire de musique de Qu\u00e9bec<\/strong> in 1992 and studied at the <strong>Eastman School of Music<\/strong>, Rochester, NY.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caroline LizotteA brilliant Quebec harpist and composer, Caroline Lizotte is named Composer of the Year at the Prix Opus 2023 and stands out internationally as one of the leading harp composers of her generation. Her works, often awarded prizes and imposed in competitions, are played and recorded by harpists around the world and are listed [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":759,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-799","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Caroline Lizotte - Roug\u00e9bLeu\u00eb Productions<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rougebleue.com\/en\/caroline-lizotte\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Caroline Lizotte - Roug\u00e9bLeu\u00eb Productions\" \/>\n<meta property=\"og:description\" content=\"Caroline LizotteA brilliant Quebec harpist and composer, Caroline Lizotte is named Composer of the Year at the Prix Opus 2023 and stands out internationally as one of the leading harp composers of her generation. 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